Kyle Deibler lav­ish­es praise on our live CD, Live at Blues Now, in the October/November 2014 issue of Blues Bytes, with a delight­ful and detailed analy­sis of each track on the CD. If you don’t have the album yet, this review should con­vince you to get your copy now! Here’s the full sto­ry:

A for­mer Marine, Chris O’Leary, has cer­tain­ly paid his dues to his coun­try and to the Blues while fronting Lev­on Helm’s Barn Burn­ers for sev­er­al years. Throw in the death of his good friend and drum­mer, Sean McCarthy, and you can tell that Chris has endured his share of tri­als and tribu­la­tions over the past cou­ple of years. In a disc ded­i­cat­ed to Sean, Live at Blues Now, Chris and the band give an over the top per­for­mance for the good folks of Basel, Switzer­land. Sound man Dave Muschei­dt did an out­stand­ing job of cap­tur­ing the band’s live per­for­mance, and hav­ing Alex Schultz as the guest gui­tarist is sim­ply the cher­ry on top. It’s time to give this gem anoth­er lis­ten.

The band starts out with “Give It” and the back end with Matt Ray­mond on bass and Jay Devlin on drums set the tone for this tune. Chris’s harp is added to the mix and I hear a bit of bari­tone sax from Chris DeFrancesco, as Chris pleads his case for love with the object of his affec­tions. “You’ve been sad and only…so many times before…will you be my one and only…I’ll give you what you’re ask­ing for…give it…to me baby…give it.” Alex’s fret­work is incen­di­ary and we’re off and run­ning with it here. Throw in Andy Stahl’s tenor sax and the horns are front and cen­ter as we move onto “Trou­ble.” “I don’t know how I got here…Lord, knows where I’ve been…I’m talk­ing trouble…I’ve been liv­ing in…I’d bet­ter get it all together….for all this trou­ble I’ve been liv­ing in.” Chris doesn’t real­ly expound on exact­ly what the trou­ble was but at least he’s will­ing to change his ways and begin to move for­ward.

Alex is back on the gui­tar and I’m wish­ing I was in Basel for this show. Next up is “Louisiana Woman,” and giv­en that Chris says it’s a true sto­ry we’d all bet­ter be care­ful down on the Bay­ou. “Cre­ole Woman…all’s you had to say…don’t wor­ry, Cher…laissez les bon temps roulez…I’ll still cross my heart…for it’s too late…knock on wood…I don’t want to tempt fate.” Chris’s mourn­ful harp tones echo the mag­ic to be found in the air, and it sounds like Chris was a wise man to avoid the temp­ta­tions of the Louisiana women.

The crowd’s applaud­ing as the band kicks it up a notch for Chris’s next cut, “Walk the Walk.” “Can’t run…but you sure can hide…I got a plan to be your man….I’ll do every­thing I can…keep you warm when it’s cold outside…you can talk the talk…but can you walk the walk?” Chris is in love but this woman may not have the game she needs to back up her talk. Let’s hope that Chris is right with this one. We move on to “Water’s Risin’,” and this is a tune that Chris wrote with Lev­on Helm. “I hope you can swim…honey, our rela­tion­ship might sink.” They’re expe­ri­enc­ing some rough times togeth­er but hope­ful­ly they’ll be ok. “Going down…water’s rising…taking on water…I hope you can swim, baby, our rela­tion­ship might sink”

Jay’s toms are set­ting the pace for our next cut, “I Wish You Would,” and I hear Chris’s bari­tone sax every now and then. Chris is singing into his harp mic and it gives his voice a unique twist for this tune. “Ear­ly in the morning…bout the break of day…I’m guess­ing my baby went away…please, baby baby…give me one more try…you know I love you…want to be your man…come back baby…I wish you would.” This girl’s gone and I’m think­ing Chris is not going to get this one back.

“Mr. Used to Be” gives a dif­fer­ent twist to the same old sto­ry. Chris is glad this one’s gone and what­ev­er she does, please don’t come back. “I do wish I could have known…I had to share you with the rest of the town…I do not miss you, baby…don’t you come home to me…I’m per­fect­ly happy…being your Mr. used to be.” Good rid­dance to bad rub­bish in this case, and Chris is more than hap­py to move on.

Our next cut, “Blues is a Woman,” has that late night, last call, club feel to it from way back in the day. Alex is lay­ing down some extreme­ly mourn­ful tones on his gui­tar and the mood for this song is per­fect­ly clear. “Blues is a woman…and she don’t mean me no good…she nev­er does like she ought to…low down woman…never does like she should.” I love the tones form Andy’s tenor sax in the back­ground and it’s clear that what­ev­er this woman did to Chris, she hurt him bad­ly and it’s time he let her go.

Chris has the crowd singing along with him on the next tune, “King of the Jun­gle.” “King of the jungle…man, he’s the king of the jungle…he’s the bad­dest cat around.” You know he’s tough if the lions, tigers and griz­zlies all give him the right of way. This is a fun tune and a wel­come relief from the somber tone of “Blues is a Woman.” Jay’s snare is at the fore­front to give “Tchoupi­toulas” a New Orleans flare as Chris tells us about this small town in Louisiana. “This small town…ain’t no destination…people only pass­ing through…take a walk…down Tchoupitoulas…you nev­er you know what you might find…let that mud­dy Mississippi…wash all your cares behind.” A quick place to pause and reflect but a def­i­nite­ly a des­ti­na­tion to leave behind.

Chris’s bari­tone sax is at the fore­front of the intro to our next cut, “Wait­ing for the Phone to Ring.” “Hey Rapunzel…I know your tow­er ain’t no fun…you know it bound to happen…I might as well be the one…I’ve prop­er ques­tion­able raising…but I’ve got prop­er table manners…in fact…instead of low­er­ing your standards….what’s say you low­er your stance.” Chris is work­ing hard to charm this one but I’m not sure Rapun­zel is going to fall prey to his charms. But if she does, oh Lord,look out!

The sax­es pro­vide the per­fect foil to Chris’s harp as the band heads into the final cut on our disc, “His­to­ry.” “Oh when I seen your apple…you know I made your orchard my home.” Chris has an answer for all of the hero­ines from the past and he’s more than hap­py to include them in his new ver­sion of “his­to­ry.” Alex just kills his fret­work on this last tune and there’s no doubt the good folk of Basel, Switzer­land wit­nessed an amaz­ing show at Blues Now.

This is Chris O’Leary’s third disc out on the Fidel­lis Records/Vizztone Label Group and it’s a good one. Dave Gross did an amaz­ing job of mas­ter­ing the live record­ing and the Chris O’Leary Band def­i­nite­ly tore the roof off of Blues Now that fate­ful night in March.

Chris is based in the Hud­son Riv­er Val­ley and the lessons he learned at the hands of the mas­ter, Lev­on Helm, are read­i­ly appar­ent. Alex Schultz’s fret­work is amaz­ing and I’ve enjoyed this disc tremen­dous­ly. You can learn more about Chris O’Leary and his band on their web­site,, and grab a copy of this live disc for your­self. After that, pour your­self a cold one and turn it up loud!


Blues Bis­cuits’ Jim Kanavy gives our new live CD, Live at Blues Now!, high marks in his review of the album, not­ing that “this is rock & roll blues at its best.” Here’s the full review:

“Chris O’Leary is the for­mer front man of Lev­on Helm’s Barn­burn­ers. The Chris O’Leary band was formed in 2007 around a tight group of road war­riors. Chris’ years spent with the Barn­burn­ers, back­ing up an eclec­tic mix of musi­cians at Lev­on Helm’s New Orleans club, and tour­ing the coun­try after­ward, turned him into a musi­cal medi­um. He chan­nels a mul­ti­tude of blues & soul styles author­i­ta­tive­ly. It’s hard to believe he grew up clos­er to Albany, New York than New Albany, Mis­sis­sip­pi. The blues pours out of his fuzz-drenched, raspy harp and his band is right there with him at every twist and turn. After two suc­cess­ful and acclaimed stu­dio albums, this red hot com­bo has unleashed a siz­zling live album.

Live At Blues Now! has tunes from both stu­dio albums and a groov­ing, bounc­ing ver­sion of Bil­ly Boy Arnold’s “Wish You Would.” Chris sings some of it through the harp mic and his vocals take on a Howl­in’ Wolf snarl. I was real­ly excit­ed to have a live ver­sion of “Tchoupi­toulas” (that’s “Chop-ih-too-liss” to you and me). If “Tchoupi­toulas” doesn’t get you mov­ing you may be dead. Have some­one take your pulse imme­di­ate­ly. Admin­is­ter mouth to mouth as desired. It should have you singing and danc­ing like you’re down at Tipitina’s with the sec­ond-line hot on your heels. The whole album, from the open­er “Give It” to the clos­er “His­to­ry” has incred­i­ble drum­ming. The beats are almost trib­al, churn­ing and chop­ping, like waves of the sea surg­ing and reced­ing, thrust­ing the band for­ward, reel­ing rock­ing in rhyth­mic ecsta­sy.

“On “Trou­ble,” spe­cial guest gui­tarist Alex Schultz rides the rhyth­mic waves like a man who’s con­quered the Pipeline. Chris O’Leary’s harp cuts through like a thrust­ing oar and keeps the band on course. The shim­mer­ing gui­tars of “Louisiana Woman” and lone­some harp con­jure a hoodoo mist across the bay­ou and “Water’s Risin’” swings, rocks and reels. This is rock & roll blues at its best, com­bin­ing gospel vocals, Chuck Berry rhythms, and duel­ing gui­tars into a spicy gum­bo of Amer­i­can music which pret­ty much encap­su­lates the Chris O’Leary Band. This band is the real deal. Bring the band into your liv­ing room, car, or bay­ou back porch with Live At Blues Now!”


Tomor­row we are releas­ing our 3rd CD on the Viz­ztone label.. Live at Blues Now! We record­ed this ear­li­er in the year in Basel Switzer­land with very spe­cial guest Alex Schultz. The room was beau­ti­ful, the crowd was great, and we had a blast!

Live at Blues Now!